Accounts of Amenohoakari's origins vary across classical Japanese texts. In the Kojiki and in volumes six and eight of the Nihon Shoki he is listed as born to Ame-no-oshihomimi and Takuhatachijihime and is presented with Ninigi-no-Mikoto as his younger brother. Contradictorily, other Nihon Shoki volumes (two, three, five, and seven) describe Ninigi as Amenohoakari's father. The Kujiki at times treats Amenohoakari as an alternate name or conflation with Nigihayahi, an ancestral kami of the Hozumi and Mononobe clans, while the Harima no Kuni Fudoki records him as a child of Ōkuninushi and Notsuhime. These divergent genealogies reflect textual plurality and local or clan-based reworking of descent lines rather than a single coherent origin narrative in the provided sources.
The supplied sources do not record a consistent physical description or conventional iconography for Amenohoakari; classical genealogical texts emphasize his name, functions, and lineage rather than anthropomorphic detail. What is attested in cultic practice is his enshrinement at multiple Shinto sites (for example Kono Shrine, Masumida Shrine, Sumiyoshi-taisha associations, Osada Nimasu Amateru Mitami Shrine, Owaribe Shrine, Tanabata Shrine and various Amateru Mitama shrines), and hereditary priesthoods tied to clans claiming his descent, but textual sources cited do not provide ritual iconographic specifications.
Textual etymology and cult function portray Amenohoakari primarily as the deification of sunlight and heat with a specific agricultural role: warming and ripening ears of grain, particularly rice. Through this function he is implicated in crop fertility and the ritual economy of agriculture. Equally significant in the sources is his role as a divine ancestor whose descendants form tensonzoku lineages; several clans (for example those associated with Owari, Kaifu, and others named in shrine traditions) claim descent and inherited priestly offices tied to his cult. The provided materials do not enumerate miracle narratives, magical feats, or episodic behaviors beyond these agricultural and genealogical roles.
Ajisukitakahikone
Ajisukitakahikone is a kami in Japanese mythic literature (Kojiki/Nihon Shoki). He appears in the transfer-of-rule cycle between heaven and earth, is described as a son of Ōkuninushi, associated with the Kamo cult (called Kamo no ōmikami in some modern museum/catalog entries), and features in narratives that explain landscape formation and meteorological genealogy.
Amaterasu Ōmikami
Amaterasu Ōmikami is the sun deity and a principal kami in Shinto tradition, presented in classical Japanese sources as ruler of Takamagahara (the High Celestial Plain) and the mythic ancestress of the Imperial House through her grandson Ninigi. She is central to shrine cult at Ise and to ritual nomenclature and practice within institutional Shinto.
Amatsumara
Amatsumara (天津麻羅), also called Amenomahitotsu, is a Shinto kami presented in sources as the divine smith of Takamagahara who is said to have aided in making the mirror used in the Amaterasu cave episode and who serves as a patron of earthly blacksmiths.
Ame-no-Koyane-no-mikoto
Ame-no-Koyane-no-mikoto is a male Amatsukami (heavenly kami) in classical Shinto myth, presented as the ritual-official ancestor of the Nakatomi clan and linked genealogically to the Fujiwara. He functions as a divine ritual specialist—performing divination and liturgical speech in foundational myths (notably the Ama-no-Iwato episode) and as guardian of the sacred mirror—and is venerated at major shrines such as Kasuga Taisha and Hiraoka Shrine.
Ame-no-Minakanushi
Ame-no-Minakanushi (天之御中主) is a primordial kami named in Japan's classical creation texts as one of the very first deities to come into being in Takamanohara (High Heaven). Presented in the Kojiki and Nihon Shoki as a solitary, hidden first god, he functions primarily as a mythic point of cosmic origin rather than an actively intervening deity in surviving narratives.
Ame-no-Tajikarao
Ame-no-Tajikarao is a kami in Japanese Shinto myth notable for exceptional physical strength. He appears in the Ama-no-Iwato narrative as the deity who pulls Amaterasu from the heavenly rock cave, and he is venerated at numerous shrines across Japan with associations to physical power and local lineage claims.
Ame-no-Tokotachi
Ame-no-Tokotachi is a primordial kami in classical Shinto cosmology attested in summaries of the Kojiki and Nihon Shoki tradition. Sources identify a very early solitary or among-the-first deity who manifests at the creation of heaven and earth; supplied materials also reference a closely related name, Ame-no-Minakanushi, in English summaries of those chronicles.
Ame-no-Uzume-no-Mikoto
Ame-no-Uzume-no-Mikoto is a Shinto kami of dawn, mirth, revelry and the performing arts whose comic and erotic dance at the entrance of Amano‑Iwato lures the sun goddess Amaterasu from hiding, restoring light; her action is cited as the mythic origin of kagura and of certain ritual/performance lineages.
Ame-no-hohi
Ame-no-hohi (also rendered Ame no Fuhi) is a male kami in Japanese mythology identified in sources as the second son of the sun goddess Amaterasu. He is principally attested as an ancestral figure: historical rulers of Izumo and the modern heads of Izumo Taisha and Izumo-taishakyo claim descent from him.
Ame-no-wakahiko
Ame-no-wakahiko is presented in the provided sources as a kami in Japanese mythology, described specifically as a god of grains and counted among the Amatsukami (heavenly deities). The sources identify him as a son of Amatsukunitama and note a medieval prose narrative, the Ame no Wakahiko Monogatari, exists about him.
An (案)
An (案) is a small table, desk, or platform used in Shinto ceremonies to bear offerings. It is a liturgical furnishing and material mediator in shrine rites rather than a sentient supernatural being.
Atago Gongen
Atago Gongen (愛宕権現) is a syncretic mountain guardian venerated around Mount Atago as a local gongen (manifestation) of the bodhisattva Jizō and as a protective kami. Traditionally worshipped by Shugendō practitioners, townspeople, and samurai, the cult emphasizes protection from fire, theft, and disaster and developed through honji-suijaku fusion of Buddhist and Shinto ideas.
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- [1]Amenohoakari — Wikipedia. Wikipedia: Amenohoakariwiki
- [2]Hoakari — Wikidata Q10940411. Wikidata: Hoakari (Q10940411)wiki