Multiple tale-variants account for the origin of the second mouth. The prototypical narrative recorded in English-language reference retellings describes a stingy miser who marries a woman who appears not to eat; when his rice stores steadily decline he spies on her and discovers that the back of her head parts to reveal a second mouth whose hair acts like tentacles to feed it (the mouth thus explains the missing rice). Other variants in collected summaries attribute the condition to an accidental head injury (for example, a wound inflicted by an axe that never heals and becomes a mouth) or to supernatural revenge in which the spirit of a neglected or starved child inhabits the woman and manifests as the second mouth.
Tales depict the woman as outwardly ordinary but with a second mouth on the back of her head beneath her hair; in story descriptions the skull at that location is said to split open to form lips, teeth and a tongue, producing an apparently functional second mouth. In some variants the woman's hair is described as moving like tentacles or "a pair of serpents," and the hair is said to assist the rear mouth in taking food.
In folktale accounts the second mouth is functional and vocal: it mumbles spiteful or threatening things and demands food, and if not fed it is described as screeching and causing the woman pain. Stories describe the rear mouth consuming large amounts (in one summary quoted as "twice" what the front mouth would) and—together with the hair acting as appendages—taking food directly from storage or meals. The mouth's voice and appetite are presented in tales as distinct behavioral traits that reveal the woman's hidden condition.
Weaknesses
- otherNo documented folkloric weaknesses in provided sources
Wards
- otherNo documented warding formulas or protective rites in provided sources

Rokurokubi
A Japanese yōkai-class apparition associated with humans (most often women) who display an uncanny bodily anomaly: either an extremely extendable neck or a head that detaches and moves independently (the latter often called nukekubi). Appears in classical kaidan collections and Edo-period encyclopedias and is variously framed in sources as a supernatural being, an illness, or the soul wandering during sleep.

Kuchisake-onna
Kuchisake-onna (口裂け女, "mouth-slit woman") is a Japanese urban-legend figure and modern folkloric yōkai/onryō: a mutilated woman who asks victims whether she is beautiful and whose revealed slit mouth leads to killing or mutilation in variant accounts. The legend emerged in the late 1970s and circulates with multiple survival tactics reported in popular sources.

Yama-uba
A Japanese yōkai of the mountains variously depicted as an old mountain crone, a mountain mother/princess, or an ambivalent mountain spirit who may harm travelers or aid the kind. She appears across folktales, Noh drama, and ukiyo-e, occupying roles from man‑eating hag to guardian linked to household fortune in some regions.
Abumi-guchi
A Japanese yōkai classed as a tsukumogami: an animated stirrup (abumi) depicted in Sekien Toriyama's Gazu Hyakki Tsurezure Bukuro. Traditional accounts say it is formed from a stirrup that belonged to a soldier who fell in battle and that it waits where the stirrup lies for its dead owner to return.
Abura-sumashi
A yōkai spirit from the Amakusa region of Kumamoto Prefecture, Japan, said to inhabit mountain passes. Traditionally explained as the ghost of a person who stole oil, it appears to surprise travelers and is represented in modern media with a straw-coat body and a potato- or stone-like head.
Akaname
Akaname is a Japanese yōkai associated with baths, bathtubs, toilets, and other places where scum and filth accumulate. Traditionally depicted as a child-like creature that licks grime, it functions in folklore as a cautionary figure tied to cleanliness; a few narrative variants cast it as dangerously predatory.
Akateko
Akateko (赤手児, lit. 'red child's hand') is a yōkai from Japanese folklore commonly told as a small, red, disembodied child's hand that appears from trees—especially the Japanese honey locust—and startles travelers; in some regional variants it is accompanied by a specter of a young woman or manifests as paired foot- or leg-like apparitions. Accounts vary between mostly harmless trickster apparition and a violent variant that attacks humans.
Akubōzu
Akubōzu (灰坊主, Akubōzu) is a household yōkai from parts of Akita and Iwate Prefectures in northern Japan said to live in the ashes of the hearth. Sources say they appear when people (notably children) play with or dig in hearth/furnace ash; the figure is cited as part of a broader Tōhoku motif warning against disturbing ash.
Akuma
Akuma (悪魔/あくま) in Japanese sources is an evil spirit, devil, or demon associated with misfortune and mental disturbance. The term appears in Buddhist texts and Heian-period literature and was later used to translate the Christian figure of Satan, as well as the Buddhist Mara.
Akurojin-no-hi
Akurojin-no-hi (悪路神の火, "fire of the god of the bad road") is a flamelike ghost from the folklore of Mie Prefecture, Japan. It is reported to appear on rainy nights; those who encounter it and do not run away are said to become gravely ill. The phenomenon is sparsely documented and is usually compared to will-o'-the-wisp type ghost-lights.
Amabie
Amabie is a mid-19th-century Japanese yogenjū-type wondrous creature attested in kawaraban and related pamphlet culture that emerges from the sea (in canonical accounts) to prophesy about harvests and epidemics and prescribes that its image be drawn and shown to the sick as a protective measure.
Amanojaku
Amanojaku (天邪鬼 / あまのじゃく) is a Japanese yōkai-type being portrayed as a contrarian, heart-reading trickster. Treated in different contexts as a small ogre (ko-oni), a wicked demon (jaki) in Buddhist iconography, and a folkloric spirit that provokes human vice, it appears across regional tales with variable roles from malicious kidnapper to household oddity.
Amefurikozō
Amefurikozō (雨降小僧 or 雨降り小僧) is an Edo-period yōkai figure depicted in classical illustrated and popular print culture as a youthful attendant associated with rain. Classical sources (notably Sekien Toriyama's Konjaku Gazu Zoku Hyakki) present it as a kozō-type servant linked by captional wordplay to a rain deity; later popular literature elaborates its rain-producing role and playful mischief on rainy nights.
Ameonna
Ameonna (雨女, "rain woman") is a figure in Japanese folklore treated as a yōkai associated with rain. Sources depict her both as a rain-calling supernatural being (sometimes helpful in drought) and as a folk label for an unlucky person whom rain seems to follow; a key pictorial source is Toriyama Sekien's Konjaku Hyakki Shūi.
Amorōnagu
Amorōnagu (Amorōnagu / 天降女子) is a tennyo or celestial maiden figure in the folklore of Amami Ōshima (Kagoshima Prefecture, Japan). Attested sources describe her as a heavenly woman who bathes in pools and waterfalls in ravines on the island.
Community Record
- [1]Futakuchi-onna - Wikipedia. Wikipedia contributors. "Futakuchi-onna." Wikipedia, The Free Encyclopedia. https://en.wikipedia.org/wiki/Futakuchi-onnawiki
- [2]Wikidata entry for futakuchi-onna. Wikidata. Q2564260 futakuchi-onna. http://www.wikidata.org/entity/Q2564260other
- [3]Episode 65 - World's Worst Magician (archive.org listing mentioning futakuchi-onna). Archive.org listing for Episode 65 - World's Worst Magician; episode metadata references futakuchi-onna in a hair-themed episode.other
- [4]Gegege no Kitaro: Ominous Sky! Yokai Castle Character Settei Sheets (archive). Archive.org collection of character settei sheets referencing futakuchi-onna designs.other
