Chrysothemis (daughter of Agamemnon)

Chrysothemis appears in the post-Agamemnon narrative cycle as a daughter of Agamemnon and Clytemnestra. She is attested in classical tragic tradition—most notably in Sophocles' Electra—and in later dramatic and operatic adaptations of the Electra story. The surviving sources portray her as part of the royal household of Argos/Mycenae after Agamemnon's murder, occupying the domestic role of daughter and sister rather than originating any separate cult or supernatural identity.

No canonical physical description is preserved in the cited sources. In the dramatis personae and stage directions of Sophocles' Electra she appears as an ordinary human woman and performs everyday actions (for example, leaving to place offerings at Agamemnon's grave). Modern productions and cast lists treat Chrysothemis as a female stage role but provide no authoritative, detailed iconographic description in the cited materials.

Chrysothemis possesses no supernatural powers in the cited tradition; her notable capacities are social and psychological. In Sophocles' Electra and in derived dramatic/operatic treatments she mourns her father's death, participates in funerary practice (taking offerings to Agamemnon's grave), and urges conciliation with her mother Clytemnestra and Aegisthus as a strategy of self-preservation and household continuity. She embodies a contrasting moral stance to Electra's vengeful resolve.