Ankh-ef-en-Khonsu i appears in the archaeological and epigraphic record as a priest of Montu from Thebes dated to the late Third Intermediate / early Late Period (late 25th–early 26th Dynasty, c. 725 BCE). He is attested by a painted wooden offering stele (museum accession Cairo A 9422, formerly Bulaq 666) and by coffin material from a priestly burial assemblage at Deir el-Bahari. The stele and burial were discovered in the mid-19th century (sources vary between 1854 and 1858 for discovery) in a large interment of priests of Montu; one account names the excavator François Auguste Ferdinand Mariette. In later history the stele was adopted and retitled in Thelemic contexts as the "Stele of Revealing," and the Hellenized/variant forms of the priest's name were used by occult practitioners as magical signatures and symbolic personae.
As attested in the sources, Ankh-ef-en-Khonsu i is represented archaeologically by his funerary equipment rather than a detailed portrait: his painted wooden offering stele (Cairo A 9422, formerly Bulaq 666) is described as a fairly typical Theban offering stele from the late Third Intermediate Period. The stele is painted wood, made for the priest as a votive/funerary monument; it was found in a priestly burial context alongside a coffin identified as belonging to the dedicant. The supplied materials do not include a physical description (height, facial features) of the man himself, nor do they reproduce the full inscriptional text of the stele within the provided excerpts (though translations of the stele text are noted to exist elsewhere).
In the ancient Egyptian funerary framework represented by the stele, no personal supernatural powers are ascribed to Ankh-ef-en-Khonsu i in the provided materials; rather, the funerary practice embodied by the painted offering stele functions to secure the deceased priest's continued existence in the netherworld. In modern esoteric reception, authors such as Aleister Crowley adopted variants of his name as a magical signature and implied a continuity or re-embodiment of the priesthood's "magical current" — interpretive attributions of symbolic power in Thelemic literature rather than claims preserved in the ancient Egyptian corpus.
Weaknesses
- conditiondependence on funerary offerings and inscriptions to secure continued existence
Wards
None recorded.
Aani
Aani (ancient Egyptian jꜥnr) is the lexical term for the baboon in ancient Egyptian language and functions in religious contexts as an animal icon and theophoric epithet. Attested repeatedly in Egyptian texts and images, the baboon image is used to represent or denote aspects of gods such as Thoth, Hapy, Khonsu, and Osiris rather than implying the animal itself is an independent deity.
Aker
Aker is an ancient Egyptian personification of the horizon and an earth and underworld deity who is described in surviving summaries as guardian of the eastern (Bakhu) and western (Manu) horizons, marking liminal boundaries between day and night and between the living world and the netherworld.
Akhty
Akhty (also read Netjer-akhty) is an ancient Egyptian deity identified with the northern bald ibis and linked to the akh (the transfigured, luminous human spirit). Attested from early 2nd dynasty inscriptions and in Old Kingdom personal names and priestly titles, Akhty was associated with the evening horizon and believed to guide the setting sun and carry the deceased's spirit into the night sky.
Amaunet (Amunet)
Amaunet (also spelled Amunet, Amonet) is a primordial female deity of ancient Egyptian religion, attested from early religious texts and represented as the feminine counterpart and consort of the god Amun. She is presented in sources as a pre-creation or primeval principle associated with hiddenness; Thebes is recorded as a principal center of her cult into the late dynastic and Ptolemaic periods.
Amenhotep, son of Hapu
Amenhotep, son of Hapu was a historically attested 18th‑Dynasty official who was posthumously venerated and integrated into Egyptian temple cult as a deified, local healing intercessor. His cult appears in Thebes and resurges in the Ptolemaic period, represented in votive reliefs, chapels, and statues.
Ammit
Ammit is an ancient Egyptian funerary guardian-demon of the Duat who stands at the Hall of Two Truths during the weighing of the heart. Feared and not worshipped, she awaits the verdict and consumes hearts judged impure, thereby preventing the deceased from joining the blessed dead.
Ammut
Ammut is an ancient Egyptian chimeric creature associated with the Judgment of the Dead; traditionally described as a composite of lion, hippopotamus, and crocodile, she is said to consume the souls or the symbolic heart of those judged unworthy, preventing admission to the afterlife. Modern artistic and speculative retellings recast Ammut as a large scavenging semi‑aquatic animal whose corpse‑consuming habits inspired funerary beliefs.
Amset (Imsety)
Amset (Egyptian Imsety) is one of the four sons of Horus in ancient Egyptian mortuary religion, a named funerary guardian commonly associated with protection of the liver and represented as the human-headed canopic-jar lid in mummification and afterlife iconography.
Amun
Amun is a major ancient Egyptian deity whose name (imn) means 'the hidden one.' Originating as a local Theban tutelary god, he rose to national prominence and was syncretized with the sun‑god Ra (Amun‑Ra), becoming a transcendent, self‑created creator and king of the gods closely tied to royal legitimation and personal petitionary religion.
Amun-Re
Amun-Re is a major ancient Egyptian state deity formed by syncretism of Amun with the sun-god Re. Attested from the Old Kingdom and rising to prominence as the patron god of Thebes by the 11th Dynasty, Amun-Re is closely tied to pharaonic kingship, temple cult, and oracular activity (notably at Siwa).
Amunet
Amunet (jmnt) is a primordial Egyptian goddess originally one of the female members of the Ogdoad of Hermopolis whose name means ‘The Hidden One.’ In later Theban religion she became a localized consort and cult companion of Amun, serving protective and liturgical roles in royal coronation, Sed festivals, temple liturgies, and funerary invocations.
Ancient Egyptian corkscrew-horned sheep
An extinct ovicaprine form identified in modern scholarship as Ovis longipes palaeoaegyptiacus and depicted in early pharaonic art; its distinctive loosely spiralling horns were adopted as the horn-type for several ram-headed Egyptian deities and persisted in iconography after the animal vanished from the record.
Community Record
- [1]Ankh-ef-en-Khonsu i (Wikipedia). Wikipedia contributors, 'Ankh-ef-en-Khonsu i', Wikipedia, The Free Encyclopedia.wiki
- [2]Wikidata: Ankh-ef-en-Khonsu i. Wikidata entry Q489043other
- [3]Stele of Ankh-ef-en-Khonsu / Stele of Revealing (Wikipedia). Wikipedia contributors, 'Stele of Ankh-ef-en-Khonsu', Wikipedia, The Free Encyclopedia.wiki
- [4]Egyptian Texts: Stela of Besmut (Attalus). Attalus, 'Egyptian Texts: Stela of Besmut'.other
- [5]Artifacts from the Tomb of the Priests of Amun in Finland (Thomas Christiansen). Christiansen, 'Artifacts from the Tomb of the Priests of Amun in Finland', artifact listing and analysis.academic
- [6]Stele of Revealing - O.T.O.. O.T.O. / Stele of Revealing page (modern occult perspective).other
- [7]Liber Al Vel Legis – Crowley / The Book of the Law commentary (The Old Craft). The Old Craft, 'Liber Al Vel Legis – Aiwass, Aleister Crowley and 114 Years'.other
- [8]Gnostic Church LVX: 'The Abomination of Desolation is the Stele of Revealing.'. Gnostic Church LVX commentary linking stele to modern esoteric interpretation.other
- [9]Ancient Egyptian culture, mummies, statues, burial practices (DonsMaps). DonsMaps, 'Ancient Egyptian Culture, Mummies, Statues, Burial Practices and Artefacts 3'.other
