In the Kojiki account Yatagarasu is dispatched by the heavenly kami Takamimusubi to intervene during the migration and military campaign associated with Emperor Jimmu, while the Nihon Shoki gives a variant in which the bird is sent by Amaterasu. In those narratives the crow guides Jimmu's forces eastward toward Yamato, performs reconnaissance (reporting the rebellion of a brother, Isoshiro, in one account), and mediates divine instruction to human agents; later chronicles and genealogical entries record that the bird's merit was rewarded and that descendants associated with Yatagarasu became lords (for example, lords of Katsuno), linking the being to clan lineage and political legitimation.
The name Yatagarasu is glossed as 'eight‑span crow' (with yata conveying largeness), denoting a large auspicious crow rather than a mundane bird. In later Heian sources (for example the Wamyō Ruijushō, c. 930) Yatagarasu is explicitly represented with three legs and thereby becomes associated with the continental three‑legged solar crow motif; however the Kojiki and Nihon Shoki themselves do not mention three legs. Other detailed features such as plumage color or exact size beyond the 'eight‑span/large' gloss are not specified in the provided sources.
Sources consistently describe Yatagarasu's primary functions as divine guidance and messenger‑service: leading Emperor Jimmu on his eastern expedition, being sent from heaven (by Takamimusubi or Amaterasu), conducting reconnaissance and reporting back to the commander (e.g., noting Isoshiro's rebellion), and thereby manifesting the will of Heaven. In regional cults (Kumano) the crow is integrated as a Misaki or servant of Susanoo‑no‑Mikoto and serves as a symbol of Kumano; genealogical traditions identify the bird with or as an incarnation of clan-related deities (e.g., connections to Kamotaketsunumi no Mikoto and Kamo lineage). Some later traditions and continental parallels link the bird to solar symbolism (the three‑legged crow living in the sun).
Ajisukitakahikone
Ajisukitakahikone is a kami in Japanese mythic literature (Kojiki/Nihon Shoki). He appears in the transfer-of-rule cycle between heaven and earth, is described as a son of Ōkuninushi, associated with the Kamo cult (called Kamo no ōmikami in some modern museum/catalog entries), and features in narratives that explain landscape formation and meteorological genealogy.
Amaterasu Ōmikami
Amaterasu Ōmikami is the sun deity and a principal kami in Shinto tradition, presented in classical Japanese sources as ruler of Takamagahara (the High Celestial Plain) and the mythic ancestress of the Imperial House through her grandson Ninigi. She is central to shrine cult at Ise and to ritual nomenclature and practice within institutional Shinto.
Amatsumara
Amatsumara (天津麻羅), also called Amenomahitotsu, is a Shinto kami presented in sources as the divine smith of Takamagahara who is said to have aided in making the mirror used in the Amaterasu cave episode and who serves as a patron of earthly blacksmiths.
Ame-no-Koyane-no-mikoto
Ame-no-Koyane-no-mikoto is a male Amatsukami (heavenly kami) in classical Shinto myth, presented as the ritual-official ancestor of the Nakatomi clan and linked genealogically to the Fujiwara. He functions as a divine ritual specialist—performing divination and liturgical speech in foundational myths (notably the Ama-no-Iwato episode) and as guardian of the sacred mirror—and is venerated at major shrines such as Kasuga Taisha and Hiraoka Shrine.
Ame-no-Minakanushi
Ame-no-Minakanushi (天之御中主) is a primordial kami named in Japan's classical creation texts as one of the very first deities to come into being in Takamanohara (High Heaven). Presented in the Kojiki and Nihon Shoki as a solitary, hidden first god, he functions primarily as a mythic point of cosmic origin rather than an actively intervening deity in surviving narratives.
Ame-no-Tajikarao
Ame-no-Tajikarao is a kami in Japanese Shinto myth notable for exceptional physical strength. He appears in the Ama-no-Iwato narrative as the deity who pulls Amaterasu from the heavenly rock cave, and he is venerated at numerous shrines across Japan with associations to physical power and local lineage claims.
Ame-no-Tokotachi
Ame-no-Tokotachi is a primordial kami in classical Shinto cosmology attested in summaries of the Kojiki and Nihon Shoki tradition. Sources identify a very early solitary or among-the-first deity who manifests at the creation of heaven and earth; supplied materials also reference a closely related name, Ame-no-Minakanushi, in English summaries of those chronicles.
Ame-no-Uzume-no-Mikoto
Ame-no-Uzume-no-Mikoto is a Shinto kami of dawn, mirth, revelry and the performing arts whose comic and erotic dance at the entrance of Amano‑Iwato lures the sun goddess Amaterasu from hiding, restoring light; her action is cited as the mythic origin of kagura and of certain ritual/performance lineages.
Ame-no-hohi
Ame-no-hohi (also rendered Ame no Fuhi) is a male kami in Japanese mythology identified in sources as the second son of the sun goddess Amaterasu. He is principally attested as an ancestral figure: historical rulers of Izumo and the modern heads of Izumo Taisha and Izumo-taishakyo claim descent from him.
Ame-no-wakahiko
Ame-no-wakahiko is presented in the provided sources as a kami in Japanese mythology, described specifically as a god of grains and counted among the Amatsukami (heavenly deities). The sources identify him as a son of Amatsukunitama and note a medieval prose narrative, the Ame no Wakahiko Monogatari, exists about him.
Amenohoakari
Amenohoakari (天火明) is a Japanese kami associated with sunlight, heat, and the ripening of grain; he functions as an agricultural deity and a divine ancestor claimed by multiple clans and hereditary priestly lineages. Textual sources place him within heavenly genealogy (tensonzoku) while other records give alternate parentage, producing divergent traditions about his origins and relationships to other kami.
An (案)
An (案) is a small table, desk, or platform used in Shinto ceremonies to bear offerings. It is a liturgical furnishing and material mediator in shrine rites rather than a sentient supernatural being.
Community Record
- [1]Yatagarasu - Wikipedia. Wikipedia, article 'Yatagarasu'wiki
- [2]Yatagarasu - Wikidata. Wikidata entry for Yatagarasuwiki
- [3]Yatagarasu (the three-legged crow) - Green Shinto. Green Shinto blog post on Yatagarasu and three‑legged crow parallelsother
- [4]Archive: Yatagarasu [ヤタガラス] Ver. 4.3. Archive record referencing modern cultural uses of the nameother
