The provided materials do not include a full cosmogonic origin for Ame no Mahitotsu no Kami. Modern secondary sources label him as a heavenly smith or 'Prince of the Heavenly Blacksmith' and place him within a court-like heavenly roster in which deities exchange ritual service (sake). No primary classical origin narrative is quoted in the excerpts supplied; claims about inventor roles (medicine, sake) are fragmentary in the secondary material.
Classical or primary descriptions of Ame no Mahitotsu are not provided in the excerpts. A separate, well-attested yōkai type, Hitotsume-kozō, is described as a bald-headed child with a single central eye; a modern/local folkloric note links a one-eyed smithly figure to the name Ame no Mahitotsu, but this is an attested local association rather than a documented canonical appearance for the deity.
Secondary and modern labels identify Ame no Mahitotsu as a god associated with blacksmithing or heavenly artisanry (Wikidata label 'God of Blacksmithing'; a blog calls him 'Prince of the Heavenly Blacksmith'), and a fragmentary narrative places him in ritualized exchange (being served sake by a child god). A local folkloric remark describes him as 'the one-eyed god of smith, who ruined himself,' implying a tradition in which a divine smith experienced decline and left uncanny traces; the details and causes of that decline are not recorded in the provided materials.
5 Ronin
5 Ronin is a 2011 Marvel Comics five-issue limited series that reimagines five Marvel superhero archetypes as rōnin (masterless samurai) in a fictionalized post‑Sekigahara feudal Japan. The work places Wolverine, Hulk, Punisher, Psylocke, and Deadpool analogues into period roles to explore displacement, revenge, and identity in an era of political upheaval.
Abumi-guchi
A Japanese yōkai classed as a tsukumogami: an animated stirrup (abumi) depicted in Sekien Toriyama's Gazu Hyakki Tsurezure Bukuro. Traditional accounts say it is formed from a stirrup that belonged to a soldier who fell in battle and that it waits where the stirrup lies for its dead owner to return.
Abura-akago
An Edo-period yōkai depicted as an oil‑licking infant or a ball of flame. First recorded in illustrated compendia (notably Toriyama Sekien's Konjaku Gazu Zoku Hyakki), the Abura-akago is tied to tales of oil‑stealing fires and functions in part as an etiological warning about wasting or stealing oil.
Abura-sumashi
A yōkai spirit from the Amakusa region of Kumamoto Prefecture, Japan, said to inhabit mountain passes. Traditionally explained as the ghost of a person who stole oil, it appears to surprise travelers and is represented in modern media with a straw-coat body and a potato- or stone-like head.
Aburabō / Abura-bōzu / Aosaginohi (traditions)
Two distinct Japanese traditions appear under related flame imagery: Aosaginohi/Aosagibi is presented as a will-o'-the-wisp type luminous night phenomenon interpreted as reflections from herons; aburabōzu (abura bōzu, "oil monk") appears in a separate anecdote as a reported fire-breathing apparition in a 12th-century Yasaka Shrine tale. The sources treat them as separate portrayals rather than a single unified being.
Acala
Acala (Sanskrit: अचल, 'The Immovable') is a wrathful protective deity (dharmapala) in Vajrayāna and East Asian esoteric Buddhism, classed among the Wisdom Kings (Vidyārāja). He functions as a ritual focus for visualization and mantra practice intended to remove obstacles and bind or destroy hostile forces.
Agaru
Agaru (attested historically as Agarum) appears in the supplied sources as a Bronze Age Near Eastern toponym—often identified with Failaka Island—and as a modern personal or media name. The provided material contains no evidence that Agaru is a supernatural being in any traditional cosmology.
Ajisukitakahikone
Ajisukitakahikone is a kami in Japanese mythic literature (Kojiki/Nihon Shoki). He appears in the transfer-of-rule cycle between heaven and earth, is described as a son of Ōkuninushi, associated with the Kamo cult (called Kamo no ōmikami in some modern museum/catalog entries), and features in narratives that explain landscape formation and meteorological genealogy.
Aka Manto
Aka Manto (赤マント, "Red Cloak") is a Japanese urban legend and schoolyard ghost-story about a masked, cloaked figure who appears in public or school toilet stalls and forces occupants to choose between colored toilet paper; each choice in the tale produces a violent supernatural consequence. The legend is part of modern popular folklore recorded in school contexts from the 1930s onward rather than a formal religious myth.
Akaname
Akaname is a Japanese yōkai associated with baths, bathtubs, toilets, and other places where scum and filth accumulate. Traditionally depicted as a child-like creature that licks grime, it functions in folklore as a cautionary figure tied to cleanliness; a few narrative variants cast it as dangerously predatory.
Akashaguma
Akashaguma is presented in the available sources as a child-like house guardian spirit in the Japanese yokai tradition, closely comparable to the regional zashiki-warashi. It is associated with domestic interiors (parlors or storage rooms) and with bringing prosperity to households where it dwells.
Akashita
Akashita (赤舌, lit. “red tongue”) is an Edo-period pictorial yōkai commonly represented as a hairy, clawed face emerging from dark clouds with a wide open mouth and a conspicuous red tongue. The figure appears in yōkai emaki and Toriyama Sekien’s Gazu Hyakki Yagyō; Sekien’s plate shows it atop a sluice, but the original pictorial tradition provides no explanatory caption. Later folklorists and popular writers (Shōwa and later) have variously interpreted the image as a punitive spirit linked to irrigation/floodgate justice or as a kidnapper in evening skies, though these narrative roles are post-hoc.
Community Record
- [1]Hitotsume-kozō (Wikipedia entry). Hitotsume-kozō (一つ目小僧) are a Yōkai of Japan that take on the appearance of a bald-headed child with one eye in the center of its forehead similar to a cyclops.wiki
- [2]Wikidata: Ame no Mahitotsu (Q10016750). Wikidata label: 'God of Blacksmithing'.wiki
- [3]Ippon-datara - Japanese Wiki Corpus (local folklore note). Someone says that it is Ame no Mahitotsu no Kami, the one-eyed god of smith, who ruined himself. In spring of 2004, one-legged footsteps were found in an area called Tomida in Tanabe City, Wakayama Prefecture. It was called Tomita no Gashanbo...folk
- [4]The Passionate Foodie: The Origins & History of Sake (Part 2). ...The child god turned immediately, faced the god Ame no Mahitotsu, Prince of the Heavenly Blacksmith, and served him some... (blog quoting/ discussing Nihongi fragments and ritual context)other