Ame-no-Ohabari

Ancientwell-documentedShintoJapaneseJapan

Ame-no-Ohabari (also attested originally as Itsu-no-Ohabari) is a named sword in the Kojiki that is also treated in later passages and commentaries as a kami (divine spirit). In the mythic cycle the sword is wielded by Izanagi to slay the fire-deity Kagu-tsuchi, and the same name is later presented as a candidate kami proposed to descend from Takamagahara to Ashihara no Nakatsukuni.

Origin

In the Kojiki narrative the sword first appears as Itsu-no-Ohabari, the blade Izanagi uses to kill his offspring Kagu-tsuchi. The violent act of slaying Kagu-tsuchi results in the birth of several kami, among them Takemikazuchi, who is described in the sources as the son of the sword. Later in the Kojiki corpus the same name appears as a kami—referred to as Itsu-no-Ohabari no kami or Ame-no-Ohabari no kami—and is nominated by Omoikane as one who might descend from Takamagahara to Ashihara no Nakatsukuni, although ultimately Takemikazuchi is sent instead. Later commentators differ on identity: Motoori Norinaga reads the kami as the spirit of the sword, while Basil Hall Chamberlain states there is nothing in the text warranting that identification.

Appearance

The sources record Ame-no-Ohabari as a named sword (originally Itsu-no-Ohabari) but provide no physical description beyond its identity as a blade. The later kami-form is named in the text but likewise lacks descriptive detail in the cited materials.

Abilities

As an instrument in the Kojiki, Itsu-no-Ohabari is wielded by Izanagi to slay Kagu-tsuchi; that slaying is the cosmological event from which several other kami, including Takemikazuchi, are born. The sources do not attribute additional active powers or a catalogue of abilities to the kami-form beyond its nomination to descend from the heavenly realm and the genealogical association with Takemikazuchi.

More from Japanese

5 Ronin

5 Ronin is a 2011 Marvel Comics five-issue limited series that reimagines five Marvel superhero archetypes as rōnin (masterless samurai) in a fictionalized post‑Sekigahara feudal Japan. The work places Wolverine, Hulk, Punisher, Psylocke, and Deadpool analogues into period roles to explore displacement, revenge, and identity in an era of political upheaval.

Abumi-guchi

A Japanese yōkai classed as a tsukumogami: an animated stirrup (abumi) depicted in Sekien Toriyama's Gazu Hyakki Tsurezure Bukuro. Traditional accounts say it is formed from a stirrup that belonged to a soldier who fell in battle and that it waits where the stirrup lies for its dead owner to return.

Abura-akago

An Edo-period yōkai depicted as an oil‑licking infant or a ball of flame. First recorded in illustrated compendia (notably Toriyama Sekien's Konjaku Gazu Zoku Hyakki), the Abura-akago is tied to tales of oil‑stealing fires and functions in part as an etiological warning about wasting or stealing oil.

Abura-sumashi

A yōkai spirit from the Amakusa region of Kumamoto Prefecture, Japan, said to inhabit mountain passes. Traditionally explained as the ghost of a person who stole oil, it appears to surprise travelers and is represented in modern media with a straw-coat body and a potato- or stone-like head.

Aburabō / Abura-bōzu / Aosaginohi (traditions)

Two distinct Japanese traditions appear under related flame imagery: Aosaginohi/Aosagibi is presented as a will-o'-the-wisp type luminous night phenomenon interpreted as reflections from herons; aburabōzu (abura bōzu, "oil monk") appears in a separate anecdote as a reported fire-breathing apparition in a 12th-century Yasaka Shrine tale. The sources treat them as separate portrayals rather than a single unified being.

Acala

Acala (Sanskrit: अचल, 'The Immovable') is a wrathful protective deity (dharmapala) in Vajrayāna and East Asian esoteric Buddhism, classed among the Wisdom Kings (Vidyārāja). He functions as a ritual focus for visualization and mantra practice intended to remove obstacles and bind or destroy hostile forces.

Agaru

Agaru (attested historically as Agarum) appears in the supplied sources as a Bronze Age Near Eastern toponym—often identified with Failaka Island—and as a modern personal or media name. The provided material contains no evidence that Agaru is a supernatural being in any traditional cosmology.

Ajisukitakahikone

Ajisukitakahikone is a kami in Japanese mythic literature (Kojiki/Nihon Shoki). He appears in the transfer-of-rule cycle between heaven and earth, is described as a son of Ōkuninushi, associated with the Kamo cult (called Kamo no ōmikami in some modern museum/catalog entries), and features in narratives that explain landscape formation and meteorological genealogy.

Aka Manto

Aka Manto (赤マント, "Red Cloak") is a Japanese urban legend and schoolyard ghost-story about a masked, cloaked figure who appears in public or school toilet stalls and forces occupants to choose between colored toilet paper; each choice in the tale produces a violent supernatural consequence. The legend is part of modern popular folklore recorded in school contexts from the 1930s onward rather than a formal religious myth.

Akaname

Akaname is a Japanese yōkai associated with baths, bathtubs, toilets, and other places where scum and filth accumulate. Traditionally depicted as a child-like creature that licks grime, it functions in folklore as a cautionary figure tied to cleanliness; a few narrative variants cast it as dangerously predatory.

Akashaguma

Akashaguma is presented in the available sources as a child-like house guardian spirit in the Japanese yokai tradition, closely comparable to the regional zashiki-warashi. It is associated with domestic interiors (parlors or storage rooms) and with bringing prosperity to households where it dwells.

Akashita

Akashita (赤舌, lit. “red tongue”) is an Edo-period pictorial yōkai commonly represented as a hairy, clawed face emerging from dark clouds with a wide open mouth and a conspicuous red tongue. The figure appears in yōkai emaki and Toriyama Sekien’s Gazu Hyakki Yagyō; Sekien’s plate shows it atop a sluice, but the original pictorial tradition provides no explanatory caption. Later folklorists and popular writers (Shōwa and later) have variously interpreted the image as a punitive spirit linked to irrigation/floodgate justice or as a kidnapper in evening skies, though these narrative roles are post-hoc.

Community Record

Sources
  1. [1]
    Ame-no-ohabari — Wikipedia. Wikipedia, 'Ame-no-ohabari' entry (accessed at provided research notes).wiki
  2. [2]
    Ame no Ohabari — Wikidata Q10939046. Wikidata item Q10939046 (as cited in provided research notes).wiki
  3. [3]
    Kojiki translations and annotations (Motoori Norinaga; Basil Hall Chamberlain noted). Referenced interpretations: Motoori Norinaga's annotation identifying the kami as the sword's spirit, and Basil Hall Chamberlain's translation noting no textual warrant for that identification (both as cited in the provided research notes summarizing the Kojiki material).literary
well-documented