In early ethnohistorical accounts consolidated in later summaries, Atabey is presented as a primordial maternal principle and one of the two supreme ancestral spirits of the Taíno world. She is described as mother of Yúcahu (the principal spirit associated with cassava fertility) and as married to Yaya; sources preserve a narrative fragment in which she had a child, Yayael, who was later killed after attempting to harm Yaya. The recorded variant names and lists of names (as in Pané's Relación transmissions) reflect Latinization and orthographic fluctuation in colonial texts rather than a single fixed original orthography.
Sources do not preserve a systematic humanoid description of Atabey. She is identified principally as a zemi — a spiritual being that was also represented materially by carved icons or fetishes (most often from rock). Thus ritual and visual presence of Atabey in Taíno practice is attested through zemi objects and the variant recorded names that appear across early colonial transmissions.
Sources describe Atabey as the female entity who represents the spirit of all horizontal water (lakes, streams, the sea, and the marine tides) and as associated with fertility and with what some summaries render as 'prime matter' or all that is tangible and material. She is recorded as mother of Yúcahu and thus linked to the fertility of cassava via that familial relation. The literature also records that Atabey has several named manifestations — a nurturing maternal figure, Caguana (spirit of love), and Guabancex (Gua Ban Ceh), the violent mother of storms, volcanoes, and earthquakes — indicating a behavioral polarity from benevolent provisioning to fierce natural force.
Weaknesses
None recorded.
Wards
- ritualveneration as a zemi (icon/fetish)
Juracán
Juracán is the Taíno term for the violent storm-wind force — the destructive hurricane-force weather produced when the storm zemi Guabancex is displeased. In ethnohistorical accounts juracán names the meteorological violence itself; in some modern retellings it is personified as a storm spirit. The English word "hurricane" derives from this Taíno term.
Astynome
Astynome (Ancient Greek: Ἀστυνόμη) is not a single supernatural being but a personal name attested for several different mortal women in Greek mythic and genealogical traditions — for example, a Niobid, a daughter of Talaus and mother of Capaneus, a captive woman identified with Chryseis in Trojan War material, and a woman transformed into a rock after seeing Artemis naked.
Astyoche
Astyoche (Ancient Greek Ἀστυόχη / Ἀστυόχεια) is a name applied to multiple female figures in Greek myth, most notably a naiad of a Troy spring and several mortal princesses/mothers who appear in heroic genealogies and post-Trojan-war narratives. The name etymologically links the bearer to a town or polis—literally 'town-possessing'—and so figures named Astyoche serve as place-linked sacred presences or matrilineal connectors in foundation myths.
Astłik
Astłik (Astghik) is an ancient Armenian goddess associated with beauty, love, fertility, and water; in some earlier attestations she is also reported as a creator figure. Her cult is tied to local temples and seasonal ritual life, notably the Vardavar water‑drenching festival, and later identifications connect her with the planet Venus and Greco-Roman love‑goddess types.
Asura
Asura (Sanskrit: असुर) are a class of supernatural beings in Indian religious traditions. In Hinduism they are described as power-seeking beings related to, and often oppositional toward, the Deva; in Buddhist cosmology they form a demigod/titan class characterized by passions such as wrath and envy. Individual asura figures (notably the asura Svarbhānu) appear in myths that produce the eclipse-entities Rahu and Ketu.
Asuras
In Vedic mythology, the Asuras are a group of beings described as the 'enemies' or 'opponents' of the Devas (gods), often associated with chaos and disorder. (Note: 1. Power tier should be Ancient (or Deity-level), as they are described as eternal enemies of the gods. 2. Sensory cues and wards/weaknesses sections should be filled in, as there's no information to )
Aswang
The most feared supernatural being in Philippine folklore — a shape-shifting monster that appears human by day but transforms at night to prey on pregnant women and children.
Atago Gongen
Atago Gongen (愛宕権現) is a syncretic mountain guardian venerated around Mount Atago as a local gongen (manifestation) of the bodhisattva Jizō and as a protective kami. Traditionally worshipped by Shugendō practitioners, townspeople, and samurai, the cult emphasizes protection from fire, theft, and disaster and developed through honji-suijaku fusion of Buddhist and Shinto ideas.
Ataksak
Ataksak is a sky deity in Inuit tradition described as the ruler of the sky and a personification of celestial light that brings joy and happiness to people. The figure is depicted as a bright, glowing sphere often shown with rays or strings of light attached; some sources refer to Ataksak using masculine pronouns while other accounts call the figure a goddess.
Atalanta
Atalanta is a mortal heroine of ancient Greek myth, famed as a swift-footed huntress and archer who lives at the margins between wilderness and polis. Her story—exposure and fosterage by a she-bear, prominence in the Calydonian boar hunt, a marriage-footrace won by Hippomenes with Aphrodite's golden apples, and a later metamorphosis into a lion—appears in multiple regional variants and literary traditions.
Atanua
Atanua is the Marquesan (Polynesian) goddess of the dawn who, in local cosmogony, is the consort of Atea and mother of the first man; she is also credited in the surviving summary accounts with creating the seas as the result of a miscarriage.
Atargatis
Atargatis (Greek Atargatis / Derceto) is the chief goddess of northern Syria in classical antiquity, worshipped as a civic mistress (baalat) and fertility deity who protects the city and people and functions as an ancestor/founder figure for ruling houses. Her cult shows continuity with Bronze‑ and Iron‑Age Levantine goddesses and appears in variable iconography ranging from fully anthropomorphic to ichthyomorphic (fish‑tailed) forms.
Community Record
- [1]Atabey (goddess) — Wikipedia. Wikipedia contributors, 'Atabey (goddess)', Wikipedia, The Free Encyclopedia.wiki
- [2]Capture. JPG TAINOS ZEMIS. JPG 17 — Internet Archive. Archive caption and image of Taíno zemis, noting use of carved rock icons and the association of Atabey with fertility and motherhood.other