Izanami (Izanami-no-Mikoto)

Primordialwell-documentedShintoJapanese mythologyJapanIzumo (Mt. Hiba / border of Izumo and Hōki / modern Shimane Prefecture)Yomi (land of the dead; mythic locale)

Izanami is a primordial female creator deity in ancient Japanese cosmogony and Shinto worldview, portrayed as co-creator of the Japanese islands and many kami and as the originator of death after dying in childbirth and taking residence in the land of the dead (Yomi).

Origin

In the Kojiki-derived cosmogony recorded in early Japanese sources, Izanami and her brother-husband Izanagi are the last of a sequence of primordial deities charged with creating the first land. Together they give birth to the islands of Japan and to many kami, including Amaterasu, Tsukuyomi, Susanoo, and Kagu-tsuchi. Izanami dies in childbirth giving birth to the fire kami Kagu-tsuchi. After her death she goes to Yomi (the land of the dead); having eaten the food of Yomi she becomes one with that realm and cannot return to the living, and later attempts to request permission to leave but instead becomes an active underworld presence who pursues Izanagi when he visits Yomi.

Appearance

In the creation narratives Izanami is presented as a beautiful and graceful goddess prior to her death. In the Yomi episode when Izanagi lights a torch, her true postmortem form is revealed: a rotting, ravaged body described as covered with maggots and foul creatures. Before illumination her appearance is hidden by shadows in Yomi.

Abilities

Izanami functions as a progenitor deity who, with Izanagi, produces islands and many kami and whose death institutes mortality for humans. After becoming one with Yomi (by eating underworld food) she resides in the land of the dead and dispatches underworld agents — named in the narrative as Yakusa-no-ikazuchi-no-kami (thunder-like demons) and shikome (foul women) — to pursue Izanagi when he flees. She cannot return to the living after consuming the food of Yomi but seeks permission to leave; she is an active source of pursuit from the underworld rather than a distant, inactive ancestor.

Weaknesses & Wards

Weaknesses

  • condition
    Bound by eating the food of Yomi (consumption binds one to the land of the dead)
  • condition
    Exposure to light reveals her decayed true form (illumination uncovers hidden appearance)

Wards

  • substance
    Peaches (declared divine as Ōkamuzumi by Izanagi) — apotropaic fruit appointed to aid the living against Yomi-associated pursuers
  • symbol
    Light/torch (illumination reveals hidden underworld forms)
Entity Network
AŌAmaterasu Ōmi…YYakshaYYomotsu-shiko…I(Izanami (Izanam…
related
Related Entities
More from Japanese

5 Ronin

5 Ronin is a 2011 Marvel Comics five-issue limited series that reimagines five Marvel superhero archetypes as rōnin (masterless samurai) in a fictionalized post‑Sekigahara feudal Japan. The work places Wolverine, Hulk, Punisher, Psylocke, and Deadpool analogues into period roles to explore displacement, revenge, and identity in an era of political upheaval.

Abumi-guchi

A Japanese yōkai classed as a tsukumogami: an animated stirrup (abumi) depicted in Sekien Toriyama's Gazu Hyakki Tsurezure Bukuro. Traditional accounts say it is formed from a stirrup that belonged to a soldier who fell in battle and that it waits where the stirrup lies for its dead owner to return.

Abura-akago

An Edo-period yōkai depicted as an oil‑licking infant or a ball of flame. First recorded in illustrated compendia (notably Toriyama Sekien's Konjaku Gazu Zoku Hyakki), the Abura-akago is tied to tales of oil‑stealing fires and functions in part as an etiological warning about wasting or stealing oil.

Abura-sumashi

A yōkai spirit from the Amakusa region of Kumamoto Prefecture, Japan, said to inhabit mountain passes. Traditionally explained as the ghost of a person who stole oil, it appears to surprise travelers and is represented in modern media with a straw-coat body and a potato- or stone-like head.

Aburabō / Abura-bōzu / Aosaginohi (traditions)

Two distinct Japanese traditions appear under related flame imagery: Aosaginohi/Aosagibi is presented as a will-o'-the-wisp type luminous night phenomenon interpreted as reflections from herons; aburabōzu (abura bōzu, "oil monk") appears in a separate anecdote as a reported fire-breathing apparition in a 12th-century Yasaka Shrine tale. The sources treat them as separate portrayals rather than a single unified being.

Acala

Acala (Sanskrit: अचल, 'The Immovable') is a wrathful protective deity (dharmapala) in Vajrayāna and East Asian esoteric Buddhism, classed among the Wisdom Kings (Vidyārāja). He functions as a ritual focus for visualization and mantra practice intended to remove obstacles and bind or destroy hostile forces.

Agaru

Agaru (attested historically as Agarum) appears in the supplied sources as a Bronze Age Near Eastern toponym—often identified with Failaka Island—and as a modern personal or media name. The provided material contains no evidence that Agaru is a supernatural being in any traditional cosmology.

Ajisukitakahikone

Ajisukitakahikone is a kami in Japanese mythic literature (Kojiki/Nihon Shoki). He appears in the transfer-of-rule cycle between heaven and earth, is described as a son of Ōkuninushi, associated with the Kamo cult (called Kamo no ōmikami in some modern museum/catalog entries), and features in narratives that explain landscape formation and meteorological genealogy.

Aka Manto

Aka Manto (赤マント, "Red Cloak") is a Japanese urban legend and schoolyard ghost-story about a masked, cloaked figure who appears in public or school toilet stalls and forces occupants to choose between colored toilet paper; each choice in the tale produces a violent supernatural consequence. The legend is part of modern popular folklore recorded in school contexts from the 1930s onward rather than a formal religious myth.

Akaname

Akaname is a Japanese yōkai associated with baths, bathtubs, toilets, and other places where scum and filth accumulate. Traditionally depicted as a child-like creature that licks grime, it functions in folklore as a cautionary figure tied to cleanliness; a few narrative variants cast it as dangerously predatory.

Akashaguma

Akashaguma is presented in the available sources as a child-like house guardian spirit in the Japanese yokai tradition, closely comparable to the regional zashiki-warashi. It is associated with domestic interiors (parlors or storage rooms) and with bringing prosperity to households where it dwells.

Akashita

Akashita (赤舌, lit. “red tongue”) is an Edo-period pictorial yōkai commonly represented as a hairy, clawed face emerging from dark clouds with a wide open mouth and a conspicuous red tongue. The figure appears in yōkai emaki and Toriyama Sekien’s Gazu Hyakki Yagyō; Sekien’s plate shows it atop a sluice, but the original pictorial tradition provides no explanatory caption. Later folklorists and popular writers (Shōwa and later) have variously interpreted the image as a punitive spirit linked to irrigation/floodgate justice or as a kidnapper in evening skies, though these narrative roles are post-hoc.

Community Record

Sources
  1. [1]
    Izanami — Wikipedia. Wikipedia contributors, 'Izanami,' Wikipedia, The Free Encyclopedia.wiki
well-documented